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Život umjetnosti / FRAGMENTI KUSTOSKOG DISKURSA / FRAGMENTS OF CURATORIAL DISCOURSE 85-2009

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"title" => "Život umjetnosti / FRAGMENTI KUSTOSKOG DISKURSA / FRAGMENTS OF CURATORIAL DISCOURSE",
"broj" => "85-2009",
"hr_urednistvo" => "<h3>
<a href="http://hart.hr/aktualno/17/citajte-zu-promocija-i-kampanja">kampanja <em>čitajte ŽU!</em><br />
</a></h3>
<h3>
tema broja: <b>Fragmenti kustoskog diskursa</b></h3>
<p>
gostujuće urednice: <b>Ivana Meštrov i Mihaela Richter</b></p>
<p>
suradnici: Irena Gessner, Jelena Graovac, Sanja Horvatinčić, Ana Kovačić, Petra Krolo, Ana Kutleša, Ivana Peleh, Nina Pisk, Marijana Rimanić, Zana Šaškin, Tanja Špoljar, Vanja Žanko</p>
<p>
Kustoska profesija oblik je kulturalne prakse vrlo fleksibilnog tipa, a ono što unutar nje možemo označiti kao „fiksno” jest to da se bavi umjetničkim praksama i pritom upisuje u ono što nazivamo umjetnički sistem, koji je dio kulturnog i društvenog polja.</p>
<p>
Za neke je kustos/ica službenik/ica umjetnosti/umjetnika, katalizator/ica, medijator/ica, kritičar/ka, po drugima povjesničar/ka umjetnosti, krijumčar/ka, teoretičar/ka, aktivist/ica, menadžer/ica, kulturalni/a radnik/ica. Svi ti denominatori istovremeno opisuju kontradikcije, potencijale i paradokse prakse. No, bez obzira na to koji termin upotrebljavali, odgovornost i otprije definiran zadatak isti su, a to je odabrati „<i>što</i> će kao (umjetničko djelo) izdržati test vremena, te <i>kako</i> će se na taj rezidij gledati”.</p>
<p>
Kustoske prakse danas su rastuće polje znanja, na što ukazuje i proliferacija kustoskih programa i publikacija koje ponajprije u ciklusima razgovora donose fragmente o onome što bi moglo predstavljati tu profesiju. No, gotovo većina tih izdanja preispituje prostor bavljenja „zapadne” scene u koju se ne uklapaju lokalne prakse kustosa s naših prostora. Zbog toga i u ovom broju časopisa <i>Život umjetnosti</i> donosimo niz priloga koji doprinose široj lokalnoj kulturnoj sceni u ciklusu intervjua pod nazivom <i>Razgovori – strategija približavanja kustoskih praksi</i>, unutar kojih sugovornici odgovaraju na određeni broj pitanja, što ukazuje na višeslojnost i višeglasnost njihovih pozicija i pristupa, ali i na specifičnost konteksta u kojem rade.</p>
<p>
Da li je odgovornost kustosa formirati i određivati poziciju umjetnosti? Koliko umjetnost možemo održavati političnom ukoliko njezine strukture podrške, ali i opće javno mnijenje nameću strogu depolitizaciju? U ovom broju <i>Života umjetnosti</i> fokus usmjeravamo na razmjenu iskustava uz inzistiranje na singularnim pristupima, koji ponekad dovode do određenih preklapanja. “Stoga vjerujmo umjetnosti, ne diskursima koji ju navodno generiraju. Pitajmo se koji potencijal umjetnost nosi ne svodeći ju na tržište, trendove i brendiranje. Vježbajmo našu intuiciju i stavimo se u poziciju nepripremljenog gledatelja. I ne zaboravimo, avantura tek započinje s izložbom.”</p>
<p>
Meštrov i Richter su osnivačice i voditeljice programa <i>Kustoska platforma </i>(2008.–2009.), pilot-programa čiji je cilj omogućiti dodatnu teorijsku i praktičnu edukaciju iz područja suvremene nacionalne i međunarodne likovne umjetnosti.</p>
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issue topic: <b>Fragments of Curatorial Discourse</b></h3>
<p>
guest editors: <b>Ivana Meštrov i Mihaela Richter</b></p>
<p>
collaborators: Irena Gessner, Jelena Graovac, Sanja Horvatinčić, Ana Kovačić, Petra Krolo, Ana Kutleša, Ivana Peleh, Nina Pisk, Marijana Rimanić, Zana Šaškin, Tanja Špoljar, Vanja Žanko</p>
<p>
Curatorial profession is a very flexible cultural practice. What we can define as “fixed” within that practice is the fact that it deals with artistic practices; moreover, it is inscribed in what is commonly known as the art system, which is a part of the cultural and social field.</p>
<p>
For some, the curator is a servant of art/artists, a catalyser, mediator, and critic, while according to others he or she is an art historian, smuggler, theoretician, activist, manager, and cultural worker. All in one person. All these denominators describe contradictions, potentials, and paradoxes of this practice. But regardless of the term we use, the responsibilities and the preset tasks remain the same, including the answering of questions such as “<i>what will </i>(as an artwork) stand the test of time and <i>how </i>that residue will be looked upon.”</p>
<p>
Today, curatorial practices are a growing field of knowledge, which is indicated, among other things, by the proliferation of curatorial programmes and publications, which use mainly series of interviews in order to present the profession, at least in fragments. However, most of these publications thematize the “Western scene” and the local practices of our region barely fit in. Therefore, this issue of <i>Život umjetnosti</i> includes a number of contributions discussing the broader and local cultural scene through a set of interviews entitled <i>Conversations – Strategy for Rapprochement with Curatorial Practices</i>, in which various curators respond to questions regarding their multifaceted and multi-voiced positions and approaches, but also the specificity of the context in which they are working.</p>
<p>
Is the curator responsible for shaping and determining the position of art? How long can we keep art political if its structures of support and general public opinion impose strict depoliticization? This issue of <i>Život umjetnosti</i> focuses on the exchange of experiences with an insistence on individual approaches, which sometimes leads to an overlapping. “So let us trust art, not discourses that generate art. Ask what potential art has, not what redundance (market, trends, name dropping) it transports. Train your intuition and put yourself in the role of an unprepared viewer. Remember that the adventure merely begins with the exhibition.”</p>
<p>
Meštrov and Richter are founders and heads of the pilot program named <i>Curatorial Platform </i>(2008/2009), whose goal is to provide additional theoretical and practical training in the field of contemporary national and international art.</p>
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Sadržaj </b></h3>
<h3>
<b>Content</b></h3>
<p>
Ivana Meštrov i Mihaela Richter<i><br />
Fragmenti kustoskog diskursa<br />
Fragments of Curatorial Discourse</i></p>
<p>
16–33</p>
<p>
Ana Dević<i><br />
Politizacija kulturnog polja: mogućnosti kritičke prakse<br />
Politicization of the Cultural Field: Possibilities of a Critical Practice</i></p>
<p>
34–43</p>
<p>
Ana Janevski<i><br />
Sukobi. Politika. Konstrukcija. Privatnost. Opsesija.<br />
Conflicts. Politics. Construction. Privacy. Obssesion.</i></p>
<p>
44–51</p>
<p>
Irit Rogoff<i><br />
Zaokret</i></p>
<p>
52–59</p>
<p>
Ann Demeester<i><br />
Bez tla pod nogama – bilješke i meditacije o prijenosu kustoskog znanja</i></p>
<p>
60–65</p>
<p>
<strong>Rezenzije</strong></p>
<p>
Petja Grafenauer<br />
Svet umetnosti i programi međuregionalne povezanosti</p>
<p>
Ana Nikitović<br />
Weak signals, wild cards u prvom licu množine</p>
<p>
Jasna Jakšić<br />
Harald Szeemann: Individualna metodologija (JRP|Ringier, Zürich, 2007.)</p>
<p>
Sandra Križić Roban<br />
Privremeni predmeti (<i>Transitory Objects</i>)</p>
<p>
66–187</p>
<p>
Ivana Meštrov i Mihaela Richter<i><br />
Razgovori – strategije približavanja kustoskih praksi<br />
Conversations – strategies for convergence with curatorial practices</i></p>
<p>
Nina Pisk, Sanja Horvatinčić – <b>Ivana Bago, Antonia Majača</b></p>
<p>
Ana Kutleša – <b>BLOK</b></p>
<p>
Karla Pudar, Mihaela Richter – <b>Branko Franceschi</b></p>
<p>
Irena Gessner – <b>Iva Radmila Janković</b></p>
<p>
Ana Kovačić, Zana Šaškin – <b>Kontejner</b></p>
<p>
Jelena Graovac, Tanja Špoljar – <b>Leonida Kovač</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Sandra Križić Roban</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Zvonko Maković</b></p>
<p>
Ivana Peleh – <b>Antun Maračić</b></p>
<p>
Marijana Rimanić – <b>Tihomir Milovac</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Ana Peraica</b></p>
<p>
Petra Krolo – <b>Davorka Perić</b></p>
<p>
Vanja Žanko – <b>Sabina Salamon</b></p>
<p>
Ana Kovačić – <b>Branka Stipančić</b></p>
<p>
Marijana Rimanić – <b>Klaudio Štefančić</b></p>
<p>
Ivana Meštrov – <b>Marina Viculin</b></p>
<p>
Mihaela Richter – <b>Janka Vukmir</b></p>
<p>
Jelena Graovac, Tanja Špoljar – <b>WHW</b></p>
<p>
<b> </b></p>
",
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<b><br />
Sadržaj </b></h3>
<h3>
<b>Content</b></h3>
<p>
Ivana Meštrov i Mihaela Richter<i><br />
Fragmenti kustoskog diskursa<br />
Fragments of Curatorial Discourse</i></p>
<p>
16–33</p>
<p>
Ana Dević<i><br />
Politizacija kulturnog polja: mogućnosti kritičke prakse<br />
Politicization of the Cultural Field: Possibilities of a Critical Practice</i></p>
<p>
34–43</p>
<p>
Ana Janevski<i><br />
Sukobi. Politika. Konstrukcija. Privatnost. Opsesija.<br />
Conflicts. Politics. Construction. Privacy. Obssesion.</i></p>
<p>
44–51</p>
<p>
Irit Rogoff<i><br />
Zaokret</i></p>
<p>
52–59</p>
<p>
Ann Demeester<i><br />
Bez tla pod nogama – bilješke i meditacije o prijenosu kustoskog znanja</i></p>
<p>
60–65</p>
<p>
<strong>Rezenzije</strong></p>
<p>
Petja Grafenauer<br />
Svet umetnosti i programi međuregionalne povezanosti</p>
<p>
Ana Nikitović<br />
Weak signals, wild cards u prvom licu množine</p>
<p>
Jasna Jakšić<br />
Harald Szeemann: Inidualna metodologija (JRP|Ringier, Zürich, 2007.)</p>
<p>
Sandra Križić Roban<br />
Privremeni predmeti (<i>Transitory Objects</i>)</p>
<p>
66–187</p>
<p>
Ivana Meštrov i Mihaela Richter<i><br />
Razgovori – strategije približavanja kustoskih praksi<br />
Conversations – strategies for convergence with curatorial practices</i></p>
<p>
Nina Pisk, Sanja Horvatinčić – <b>Ivana Bago, Antonia Majača</b></p>
<p>
Ana Kutleša – <b>BLOK</b></p>
<p>
Karla Pudar, Mihaela Richter – <b>Branko Franceschi</b></p>
<p>
Irena Gessner – <b>Iva Radmila Janković</b></p>
<p>
Ana Kovačić, Zana Šaškin – <b>Kontejner</b></p>
<p>
Jelena Graovac, Tanja Špoljar – <b>Leonida Kovač</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Sandra Križić Roban</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Zvonko Maković</b></p>
<p>
Ivana Peleh – <b>Antun Maračić</b></p>
<p>
Marijana Rimanić – <b>Tihomir Milovac</b></p>
<p>
Ivana Meštrov, Mihaela Richter – <b>Ana Peraica</b></p>
<p>
Petra Krolo – <b>Davorka Perić</b></p>
<p>
Vanja Žanko – <b>Sabina Salamon</b></p>
<p>
Ana Kovačić – <b>Branka Stipančić</b></p>
<p>
Marijana Rimanić – <b>Klaudio Štefančić</b></p>
<p>
Ivana Meštrov – <b>Marina Viculin</b></p>
<p>
Mihaela Richter – <b>Janka Vukmir</b></p>
<p>
Jelena Graovac, Tanja Špoljar – <b>WHW</b></p>
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Naruči online
issue topic: Fragments of Curatorial Discourse
guest editors: Ivana Meštrov i Mihaela Richter
collaborators: Irena Gessner, Jelena Graovac, Sanja Horvatinčić, Ana Kovačić, Petra Krolo, Ana Kutleša, Ivana Peleh, Nina Pisk, Marijana Rimanić, Zana Šaškin, Tanja Špoljar, Vanja Žanko
Curatorial profession is a very flexible cultural practice. What we can define as “fixed” within that practice is the fact that it deals with artistic practices; moreover, it is inscribed in what is commonly known as the art system, which is a part of the cultural and social field.
For some, the curator is a servant of art/artists, a catalyser, mediator, and critic, while according to others he or she is an art historian, smuggler, theoretician, activist, manager, and cultural worker. All in one person. All these denominators describe contradictions, potentials, and paradoxes of this practice. But regardless of the term we use, the responsibilities and the preset tasks remain the same, including the answering of questions such as “what will (as an artwork) stand the test of time and how that residue will be looked upon.”
Today, curatorial practices are a growing field of knowledge, which is indicated, among other things, by the proliferation of curatorial programmes and publications, which use mainly series of interviews in order to present the profession, at least in fragments. However, most of these publications thematize the “Western scene” and the local practices of our region barely fit in. Therefore, this issue of Život umjetnosti includes a number of contributions discussing the broader and local cultural scene through a set of interviews entitled Conversations – Strategy for Rapprochement with Curatorial Practices, in which various curators respond to questions regarding their multifaceted and multi-voiced positions and approaches, but also the specificity of the context in which they are working.
Is the curator responsible for shaping and determining the position of art? How long can we keep art political if its structures of support and general public opinion impose strict depoliticization? This issue of Život umjetnosti focuses on the exchange of experiences with an insistence on individual approaches, which sometimes leads to an overlapping. “So let us trust art, not discourses that generate art. Ask what potential art has, not what redundance (market, trends, name dropping) it transports. Train your intuition and put yourself in the role of an unprepared viewer. Remember that the adventure merely begins with the exhibition.”
Meštrov and Richter are founders and heads of the pilot program named Curatorial Platform (2008/2009), whose goal is to provide additional theoretical and practical training in the field of contemporary national and international art.
Sadržaj
Content
Ivana Meštrov i Mihaela Richter
Fragmenti kustoskog diskursa
Fragments of Curatorial Discourse
16–33
Ana Dević
Politizacija kulturnog polja: mogućnosti kritičke prakse
Politicization of the Cultural Field: Possibilities of a Critical Practice
34–43
Ana Janevski
Sukobi. Politika. Konstrukcija. Privatnost. Opsesija.
Conflicts. Politics. Construction. Privacy. Obssesion.
44–51
Irit Rogoff
Zaokret
52–59
Ann Demeester
Bez tla pod nogama – bilješke i meditacije o prijenosu kustoskog znanja
60–65
Rezenzije
Petja Grafenauer
Svet umetnosti i programi međuregionalne povezanosti
Ana Nikitović
Weak signals, wild cards u prvom licu množine
Jasna Jakšić
Harald Szeemann: Inidualna metodologija (JRP|Ringier, Zürich, 2007.)
Sandra Križić Roban
Privremeni predmeti (Transitory Objects)
66–187
Ivana Meštrov i Mihaela Richter
Razgovori – strategije približavanja kustoskih praksi
Conversations – strategies for convergence with curatorial practices
Nina Pisk, Sanja Horvatinčić – Ivana Bago, Antonia Majača
Ana Kutleša – BLOK
Karla Pudar, Mihaela Richter – Branko Franceschi
Irena Gessner – Iva Radmila Janković
Ana Kovačić, Zana Šaškin – Kontejner
Jelena Graovac, Tanja Špoljar – Leonida Kovač
Ivana Meštrov, Mihaela Richter – Sandra Križić Roban
Ivana Meštrov, Mihaela Richter – Zvonko Maković
Ivana Peleh – Antun Maračić
Marijana Rimanić – Tihomir Milovac
Ivana Meštrov, Mihaela Richter – Ana Peraica
Petra Krolo – Davorka Perić
Vanja Žanko – Sabina Salamon
Ana Kovačić – Branka Stipančić
Marijana Rimanić – Klaudio Štefančić
Ivana Meštrov – Marina Viculin
Mihaela Richter – Janka Vukmir
Jelena Graovac, Tanja Špoljar – WHW
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